Arrant Pedantry

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The Pronunciation of Smaug

With the recent release of the new Hobbit movie, The Desolation of Smaug, a lot of people have been talking about the pronunciation of the titular dragon’s name. The inclination for English speakers is to pronounce it like smog, but Tolkien made clear in his appendixes to The Lord of the Rings that the combination au was pronounced /au/ (“ow”), as it is in German. A quick search on Twitter shows that a lot of people are perplexed or annoyed by the pronunciation, with some even declaring that they refuse to see the movie because of it. Movie critic Eric D. Snider joked, “I’m calling him ‘Smeowg’ now. Someone please Photoshop him to reflect the change, thanks.” I happily obliged.

smeowg

I can haz arkenstone?

So what is it about the pronunciation of Smaug that makes people so crazy? Simply put, it doesn’t fit modern English phonology. Phonology is the pattern of sounds in language (or the study of those patterns), including things like syllable structure, word stress, and permissible sound combinations. In my undergraduate phonology class, my professor once gave us an exercise: think of all the consonants that can follow /au/, and give an example of each. The first several came easily, but we started to run out quickly: out, house (both as a noun with /s/ and as a verb with /z/), owl, mouth (both as a noun with /θ/ and as a verb with /ð/), down, couch, hour, and gouge. What these sounds all have in common is that they’re coronal consonants, or those made with the front of the tongue.

The coronal consonants in modern Standard English are /d/, /t/, /s/, /z/, /ʃ/ (as in shoe), /ʒ/ (as in measure), /tʃ/ (as in church), /dʒ/ (as in judge) /l/, /r/, and /n/. As far as I know, only two coronal consonants are missing from the list of consonants that can follow /au/—/ʃ/ and /ʒ/, the voiceless and voiced postalveolar fricatives. By contrast, /g/ is a dorsal consonant, pronounced with the back of the tongue. There are some nonstandard dialects (such as Cockney and African American English) that change /θ/ to /f/ and thus pronounce words like mouth as /mauf/, but in Standard English the pattern holds; there are no words with /aup/ or /aum/ or /auk/. (The only exception I know of, howf, is a rare Scottish word that was apparently borrowed from Dutch, and it could be argued that it appears rarely enough in Standard English that it shouldn’t be considered a part of it. It appears not at all in the Corpus of Contemporary American English and only once in the Corpus of Historical American English, but it’s in scare quotes. I only know it as an occasionally handy Scrabble word.)

And this isn’t simply a case like orange or silver, where nothing happens to rhyme with them. Through the accidents of history, the /aug/ combination simply does not occur in modern English. Before the Great Vowel Shift, Middle English /au/ turned into /ɔ:/ (as in caught today). (Note: the : symbol here denotes that a vowel is long.) During the Great Vowel Shift, /u:/ turned into a new /au/, but apparently this /u:/ never occurred before non-coronal consonants. This means that in Middle English, either /u/ lengthened before coronals or /u:/ shortened before non-coronals; I’m not sure which. But either way, it left us with the unusual pattern we see in English today.

What all this technical gibberish means is that, in the absence of a clear pronunciation guide, readers will assume that the “au” in Smaug is pronounced as it is in other English words, which today is almost always /ɔ:/ or /ɑ:/. Thus most Americans will rhyme it with smog. (I can’t speak with authority about other varieties of English, but they would probably opt for one of those vowels or something similar, but not the diphthong /au/.) It’s not surprising that many readers will feel annoyed when told that their pronunciation clashes with the official pronunciation, which they find unintuitive and, frankly, rather non-English.

One final note: Michael Martinez suggests in this post that /smaug/ is not actually Tolkien’s intended pronunciation. After all, he says, the appendixes are a guide to the pronunciation of Elvish, and Smaug’s name is not Elvish. Martinez quotes one of Tolkien’s letters regarding the origin of the name: “The dragon bears as name—a pseudonym—the past tense of the primitive Germanic verb Smugan, to squeeze through a hole: a low philological jest.” He seems to take this as evidence against the pronunciation /smaug/, but this is probably because Tolkien was not as clear as he could have been. Smugan is the infinitive form; the past tense is—surprise—smaug.

Note: the definition given for the Proto-Germanic form doesn’t quite match Tolkien’s, though it appears to be the same verb; the Old English form, also with the infinitive smugan, is defined as “to creep, crawl, move gradually”. The astute student of language will notice that the past tense of the verb in Old English had the form smēag in the first and third person. This is because the Proto-Germanic /au/ became /ēa/ in Old English and /i:/ or /ai/ in modern English; compare the German auge ‘eye’ and the English eye. This demonstrates once again that English lost the combination /aug/ quite some time ago while its sister languages hung on to it.

So yes, it appears that Tolkien really did intend Smaug to be pronounced /smaug/, with that very un-English (but very Germanic) /aug/ combination at the end. He was a linguist and studied several languages in depth, particularly old Germanic languages such as Old English, Old Norse, and Gothic. He was certainly well aware of the pronunciation of the word, even if he didn’t make it clear to his readers. You can find the pronunciation silly if you want, you can hate it, and you can even threaten to boycott the movie, but you can’t call it wrong.

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Now on Visual Thesaurus: “Electrocution: A Shocking Misuse?”

I have a new post up on Visual Thesaurus about the use, misuse, and history of the word electrocute. Some usage commentators today insist that it be used only to refer to death by electric shock; that is, you can’t say you’ve been electrocuted if you lived to tell the tale. But the history, unsurprisingly, is more complicated: there have been disputes about the word since its birth.

As always, the article is for subscribers only, but a subscription costs a paltry $2.95 a month or $19.95 (and would make a great gift for the word lover in your life). Check it out.

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Yes, Irregardless Is a Word

My last post, “12 Mistakes Nearly Everyone Who Writes about Grammar Mistakes Makes”, drew a lot of comments, some supportive and some critical. But no point drew as much ire as my claim that irregardless is a word. Some stated flatly, “Irregardless is not a word.” One ignorantly demanded, “Show me a dictionary that actually contains that word.” (I could show him several.) Still others argued that it was a double negative, that it was logically and morphologically ill-formed and thus had no meaning. One commenter said that “with the negating preface [prefix] ‘ir-’ and the negating suffix ‘-less’, it is a double negative” and that “it is not a synonym with ‘regardless’.” Another was even cleverer, saying, “The prefix ir-, meaning not, changes the meaning of the word regardless, so not only is it not a standard word, but it’s also misused in nearly all cases.” But these arguments still miss the point: irregardless is indeed a word, and it means the same thing as regardless.

In my last post I argued that there’s a clear difference between a word like irregardless and a nonword like flirgle. By any objective criterion, irregardless is a word. It has an established form and meaning, it’s used in speech and occasionally in writing, and it’s even found in reputable dictionaries, including Merriam-Webster’s Collegiate Dictionary and The Oxford English Dictionary (though it is, quite appropriately, labeled nonstandard). We can identify its part of speech (it’s an adverb) and describe how it’s used. By contrast, though, consider flirgle. You don’t know what its part of speech is or how to use it, and if I were to use it in a sentence, you wouldn’t know what it meant. This is because it’s just something I made up by stringing some sounds together. But when someone uses irregardless, you know exactly what it means, even if you want to pretend otherwise.

This is because words get their wordhood not from etymology or logic or some cultural institution granting them official status, but by convention. It doesn’t matter that nice originally meant “ignorant” or that contact was originally only a noun or that television is formed from a blend of Greek and Latin roots; what matters is how people use these words now. This makes some people uncomfortable because it sounds like anarchy, but it’s more like the ultimate democracy or free market. We all want to understand one another and be understood, so it’s in our mutual interest to communicate in ways that are understandable. Language is a self-regulating system guided by the invisible hand of its users’ desire to communicate—not that this stops people from feeling the need for overt regulation.

One commenter, the same who said, “Irregardless is not a word,” noted rather aptly, “There is absolutely no value to ‘irregardless’ except to recognize people who didn’t study.” Exactly. There is nothing wrong with its ability to communicate; it’s only the word’s metacommunication—that is, what it communicates about its user—that is problematic. To put it a different way, the problem with irregardless is entirely social: if you use it, you’ll be thought of as uneducated, even though everyone can understand you just fine.

On Google Plus, my friend Rivka said, “Accepting it as a word is the first part of the slippery slope.” This seems like a valid fear, but I believe it is misplaced. First of all, we need to be clear about what it means to accept irregardless as a word. I accept that it’s a word, but this does not mean that I find the word acceptable. I can accept that people do all kinds of things that I don’t like. But the real problem isn’t what we mean by accept; it’s what we mean by word. When people say that something isn’t a word, they aren’t really making a testable claim about the objective linguistic status of the word; they’re making a sociolinguistic evaluation of the word. They may say that it’s not a word, but they really mean that it’s a word that’s not allowed in Standard English. This is because we think of Standard English as the only legitimate form of English. We think that the standard has words and grammar, while nonstandard dialects have nonwords and broken grammar, or no grammar at all. Yes, it’s important to recognize and teach the difference between Standard English and nonstandard forms, but it’s also important to be clear about the difference between facts about the language and our feelings about the language.

But the irregardless-haters can also take heart: the word has been around for at least a century now, and although many other new words have been coined and become part of Standard English in that time, irregardless shows no signs of moving towards acceptability. Most people who write for publication are well aware of the stigma attached to it, and even if they aren’t, few copyeditors are willing to let it into print. It’s telling that of the Oxford English Dictionary’s eight citations of the word, two merely cite the word in other dictionaries, three more are mentions or citations in linguistics or literary journals, and one more appears to be using the word ironically. We talk about the word irregardless—mostly just to complain about it—far more than we actually use it.

So yes, irregardless is a word, even though it’s nonstandard. You don’t have to like it, and you certainly don’t have to use it, but you also don’t have to worry about it becoming acceptable anytime soon.

This post also appears on Huffington Post.

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